Sunday, March 3, 2013

Une Arabesque, Merci Beaucoup!



One of my primary inspirations throughout this design process has been dance. Ballerinas exude effortless elegance. If that was something I could translate into a collection I think it would be very successful. This past week I was a part of a dance photo shoot at my school and was able to capture these images with one dancer in front of a window in the ballet studio. 

On a different note my head is completely jumbled with so many different ideas and directions. I've started keeping a notebook next to my bed and that cliche about "the best ideas come when your falling asleep" is actually quite true (in my opinion). Unfortunately these ideas don't always make sense in the morning but when they do, you feel like you had just found $20 on the sidewalk, pleasantly surpised. 

One of these ideas was about the photo shoot ( I know I'm getting a little ahead of myself, considering I haven't even decided what I'm making or out of what it will be made from...but it's fun to dream about the possibilities). I'm thinking about doing it in a ballet studio, but in the dressing room with all the point shoes and leotards thrown about, the studio that I trained at a few years ago is what I'm imagining. It's very dark and messy downstairs but then right above beautiful music is playing and light is streaming in from all directions, I think it would be exciting to capture that contrast in my photographs.

Something I'd like to accomplish this week is to find a few ballerinas to interview and ask them things about what they wear during class and also to and from the studio. 

-Emma Clementina

Tuesday, February 26, 2013

Draping

These are some very beginning drapes that I will continue to evolve throughout this week. The inspiration was from a snood scarf... this will transform into the collar and the hood of a jacket.





Saturday, February 23, 2013

Drawing Time....

This past week I've been thinking about what I should make and also how my inspiration board has affected my view point. The main design in this rough sketch is the jacket, which was inspired by the shape of a leotard. 
 When I was at SewGreen this Thursday my advisor for my internship there gave me the idea of not just making one couture garment, but making a set, one using couture techniques and the other would be ready-to-wear. In this process I would map out what the differences are between the two outfits and the cost it would take to produce it. The jacket above is a possibility of what I could make for my ready-to-wear "look".
Sew Green is a not for profit organization that is both a store that sells re-used fabric and vintage Singer sewing machines but also a classroom that teaches sewing. I have been attending SewGreen regularly since the summer before 8th grade. Since then I have been in their internship program multiple times, have helped out in the store and also volunteered as an assistant teacher in the classroom. SewGreen has not only taught me about sewing but also how to be conscious about the environment and the waste we create while sewing garments. Sew Green will be a essential resource for me while I'm working on my project.
If you live in Ithaca or are ever visiting you should check out the SewGreen store on the Commons; you can find amazing vintage fabric there that you would never see anywhere else!

A link to the SewGreen website: http://www.sewgreen.org/

This is another one of my sketches but in a more final form. The pants are inspired by boy friend jeans that ballerinas would often wear on the street to and from classes, the twist is that they would be made out of a elegant brocade material with beading to emphasize the swirls. The jacket is inspired by tu tu's. I've been drawing a lot of jackets, so I'm pretty sure that what ever I make there will be a jacket involved but I'm not setting anything in stone yet...
My next step is to keep sketching and coming up with more ideas and this week I'm also going to begin draping.

-Emma Clementina

Sunday, February 10, 2013

Street Style


Fashion Week has begun! For me not only are the collections exciting but also what everybody is wearing to them. The winter storm brought out some great styles-- including those ski glasses!!

-Emma Clementina

These are all photos taken by Tommy Ton.
For more of his photography covering the Fall 2013 shows visit: http://www.style.com/trendsshopping/streetstyle/020713_Tommy_Ton_F2013RTW/

Interview with Rachael Reichert


This is an interview that I had with the designer Rachael Reichert. Rachael is a designer from Ithaca; who studied at Central Saint Martins in London. Her style is very distinct and when ever I see someone wearing one of her pieces I can tell from the beautiful craftsmanship and funky design that it is one of hers. 

Emma Cleveland: When did you start to sew and draw? What madeyou interested in fashion?
Rachael Reichert: I've always been interested in art. I learned tosew in middle school, but didn't get my own sewing machine till I was 14.Before that I would make clothes out of duct tape or alter clothes using safetypins. I loved the idea of being able to make art that I could wear. I havealways been incredibly driven to create things.

EC: How would you describe your style?

RR: I always have difficulty describing my style concisely. I don'tthink there is a category that it completely fits in. It is sometimeswhimsical, sometimes bold, alternative, kind of goth.

EC: I know you use a lot of red, white and black, have you beenusing this color combination for a long time or was it a more recent addition?


RR: Black and red have always been the colors I am most comfortablewith. In college I tried to use them as little as possible, as a personalchallenge, but now I have fallen back into my chromatic comfort zone.


EC: Where did you intern in England? Autumn Newell mentioned thatyou worked somewhere that tried to utilize the majority of the fabric or all ofit, while pattern making or draping.

RR: That technique is called "zero waste" and the designerI worked for who used that technique is Mark Liu. He had a really amazing mindfor pattern making and draping! He would use every bit of a rectangle of cloth.Sometimes he would weave strips of the fabric to fit the shapes of the body. Orsometimes the raw edges of the fabric would be decorative on the outside.
Ihave heard of two designers in NYC who sometimes make zero waste clothes, StudyNY and Titania Inglis (who grew up in Ithaca!). But their styles are moredrapey, rather than fitted.
I also interned for Katherine Hamnett, who is theoriginal pioneer of using organic cotton. And for Linda Loudermilk, who hashelped develop many eco fabrics out of unusual materials like seaweed andmilk.
4)

EC: I heard you use a lot of recycled materials, including organicmuslin, is this restricting for you at times?

RR: I try to only use materials that are in some way eco. Mycollections are mostly made of organic cotton, hemp, peace silk andoccasionally recycled/vintage material. It is restricting, but not in a waythat I consider to be negative.

EC: Where do you shop for your materials?

RR: I buy most of my fabric online, from a variety of websites.Nearseanaturals.com is one of my favorites.


EC: Do you make mainly custom ordered clothes?

RR: I usually spend about half the year making custom orderedclothes, and the rest of the year making a fashion collection. Most of thecustom clothes are a collaboration of design between the client and I.


EC: What was the teaching style like at CSM? Did you like this?


RR: The teaching style was very different from Americanuniversities. There were no classes, only projects. Almost all learning wasdone independently through research. The tutors were only there to help guideus in the right direction and critique our projects at the end. The only gradesthat counted were the grade of the final collection and the grade of thedissertation. Most other projects weren't graded or were pass/fail.
Idefinitely liked a lot about that system. I particularly liked not having totake classes on unrelated subjects. But I was sometimes not fond of how handsoff the teaching style was. I am definitely glad I did it though.


EC: Do you have any favorite designers? What have been your favoriteseasons or shows by them, or just everything?


RR: I have always loved Alexander McQueen, John Galliano, Jean PaulGaultier, Hussein Challyan, Theirry Muglar and Christian Dior. My favorite collectioneach season is almost always McQueen! Some more recent designers I love areThree As Four (although not SS13) and Iris Van Herpen. And as far as corsetdesigners go, Mr Pearl and Royal Black are my favorites.


EC: Do you watch the fashion shows seasonally?

RC: I look at pictures of almost all the big fashion shows eachseason (and pre season photos as well).

EC: Which websites/ magazines do you like the most?

RR: I look at style.com and truefashionistanow.com, but not muchelse.


EC: Where do you find inspiration? Anything in particular thisseason that has really caught your eye?


RR: I am inspired by many things. I find a lot of inspiration onTumblr. When I am working on a new collection I always have a theme and oftencreate a story to base the collection and show on. Then I collect hundreds ofpictures from the Internet, of clothes and art that fit my theme or my style,and I use all my inspiration to help paint myself a clearer picture of what Iwant my collection to feel like.


EC: The corsets you make are exquisite, is this something that youfocused on for a long time to get them just right?

RR: Thank you! I took a short night course in corsetry 8 years ago,but the way I was taught there is very different from the way I make corsetsnow. I have done a huge amount of research into how corsets are made and Istudy images of corsets to see how they are made. My techniques are constantlyevolving.
11) What kind of garments are your favorite to make?
Corsets are myfavorite to make. I love how they are structural entities that need to be madecarefully to work well. They take a lot of care, strategy and attention. Inever get bored of making them, because I am constantly trying new techniquesto see what works best.


Link to Rachael Reichert's blog:

The Plan

This is my plan to get my process going. In two weeks I'll post my updated version, with what was accomplished and what is still a work in progress.

- Emma Clementina

Saturday, February 9, 2013

Inspiration

This is what's inspiring me today.....maybe it will turn into a collection!

 Here's a little bit of my concept: When ballerinas travel to and from their classes I think their style always portrays a very effortless and chic look. Often I see ballerinas wearing baggy pants paired with a relaxed sweater or jacket and then the skintight leotard pulls the whole outfit together. I was inspired by the laid back style of ballerinas on their time outside of the studio but also the tulle and lux fabrics used in their stage costumes. Edgar Degas was another inspiration and the colors in his paintings are stunning. I really love whimsical photos and this animates how my croquis poses.

-Emma Clementina